For Dancing Out in Space, I recorded reflections of artificial light on the surface of a blank monitor and transformed these recordings into a video piece that was played back through the screen. The video stills were then printed on to a transparent Mylar substrate to further explore the tensions between the material aesthetic of the screen-based object and the immaterial aesthetic of the screen-based image. The result of this exploration was a revised understanding of the screen as an entity that could use indirect light to alter perception of time and space.